Boella Co. Content Proposal

01 · The four films

Four things only you can say

People who see the van all over Brighton still assume you are a chain. These four fix that, and not one of them is something another trader could film tomorrow.

Film 01 · The story

Why I started this

Prep space, morning

Eleven years in kitchens, burnt out twice, making a lot of money for other people. Then the loan, and the treadmill that has not stopped since. Boella is your family name and that matters here.

OriginFamily nameThe loan

The one that sells hardest even though it never mentions pizza
Scripted with you the week before so you are not improvising
This is the pinned post

Film 02 · The proof

What people actually say

On site, during service

A montage of real customers in the queue, each giving one line. What they think of the pizza, how quick it was, why they keep coming back. Cut together, it does the selling for you.

Vox popsThe queueRegulars

Some of your regulars are nearly four years deep, that reads on camera
Nothing for you to write or perform, it is just them talking
The one that turns a browser into a booking

Film 03 · The craft

I built this van myself

The van, inside and out

It used to transport supercars. The hatch is there because supercars have suicide doors and the drivers had to climb out inside the truck. Traders with a comparable build have sixty grand in theirs.

The buildEx supercar transporterThe hatch

Cuts in the iPhone footage you already shot of the empty shell
The best single story on our call and nobody else has it
Sits on the grid permanently

Film 04 · The offer

What we actually do

Prep space and the service

Pizza, panuozzi, arancini, the dough, and the ingredients coming straight from Italy. Then the part most people miss, that you do private bookings and you want more of them.

The menuThe doughPrivate bookings

The one that actually explains what people can book you for
Pushes the panuozzi before everyone else finishes copying them
Carries the call to action straight into your booking page

02 · The day

One day, across two sites

Your talking pieces go in the morning at the prep space while it is quiet and you are fresh. Then we drive over to Gun and shoot the service properly, straight through the busy part and into the good light.

Morning

The prep space

Your three talking films, off scripts you have already read and changed. Dough, prep, the van loading up.

Midday

Over to Gun

Travel, setup, and the van against the black corrugated with the fields behind it. Drone up while it is still quiet.

Afternoon

Service

The fire, the pizzas coming out, the queue, the panuozzi. Customers giving me one line each for the montage.

Evening

Golden hour

Van exteriors and the last of the drone while the light is worth having, then we wrap.

Time on site

A full day

Eight hours of filming, split across your prep space and Gun, so the morning pieces and the evening service both get done properly.

Included

Travel

Both locations

Prep space and Gun, plus the drive between them. No mileage on top and no second call out fee.

03 · What comes back

Three things, done properly

The four main films, the story, the customer montage, the van build and what you offer
Sixty edited photos, picked by you from the full gallery, not chosen for you
Every usable clip colour graded and handed over as a library you keep for good
Scripts written with you a week ahead, changed until they sound like you
Directing you through it on the day, so the talking pieces are not left to luck
The customer interviews filmed during service at Gun
Drone at both locations, no separate fee for it
Travel to both Sussex locations, included

Main films

Plus sixty edited photos and every usable clip off the day, graded and yours to keep.

The films

Four, properly made

Scripted with you, filmed, directed and edited in house. Not four clips stitched together. Four pieces built to sit on your grid permanently and still work in a year.

Yours to keep

The clip library

No expiry

Every usable clip off the day, graded and handed over. Use it for ads, for the website, or for anything you want cutting later. It does not run out.

04 · Investment

Three lines, one total

Priced as three separate things so you can see exactly what you are paying for and what each part is worth on its own.

£800

The four main films

Scripted with you the week before, filmed and directed on the day, edited in house until they sound like you.

£600

Sixty edited photos

Shot across both locations and picked by you from the full gallery. The food, the van, the fire, the queue, the landscape.

£450

The day and the clip library

A full day of filming with every usable clip graded and handed over is £900 on my rate card. The films and the photos already cover me being there, so this is half.

Everything above, all in

£1,850 + VAT

One day filmed across both locations, everything edited, graded and back with you inside two weeks.

What that covers

A full day filming across your prep space and Gun
The four main films, scripted with you beforehand
Sixty edited photos, picked by you
Every usable clip colour graded and handed over
Directing you through the talking pieces
The customer interviews during service
Drone at both locations
Travel to both Sussex locations

Payment. Half to lock the date in, half on delivery. You are never paying for something you have not seen.

Nothing else to pay. No kit fees, no mileage, no rush fees and no separate drone charge.

If you want more than that

Optional

Short form cuts

Eight extra edits pulled out of your clip library and sized for Reels. No filming needed because the footage is already yours by then. £500 + VAT

Optional

Your supplier footage

The run in the van you already shot and never voiced. Structured, voiced and cut into a finished piece. £150 + VAT

Later

Us posting it for you

You said you want the socials off your plate and we can do that. Worth a proper conversation once the content exists and you can see what there is to work with.

05 · Next steps

What happens from here

You said no deadline, just as soon as it works. So the only thing holding this up is picking a date.

01Give me the nodSend me your registered business name and the best email for invoices. The deposit locks your date in.Joe
02We pick the dayA Gun date that works for them and for you, then everything else works back from it.Both
03Scripts, a week outI write all four, you read them, and we change anything that does not sound like you before we film a single line.Lloyd
04Shoot, then two weeksThe four films, the sixty photos and the full clip library back with you, graded and ready.Lloyd

My diary · live, so it is always right

Not loading? It lives here: huntvisuals shoot day calendar

Your side of it is a Gun date, so it comes down to where their rota and my diary overlap. Grab a day straight off the calendar if one lines up, or just tell me which days you are on at Gun and I will work around it.

One last thing, and there is no rush on it. Once the films and the photos are actually in your hands, that is the right moment to talk about us taking the posting off you as well. Easier to price and easier to plan when we both know exactly what we are working with, rather than guessing at it now.

Four films, sixty photos, one day.